Tuesday, February 11, 2014

TRAI ends aggregation of content from different broadcaster groups


MUMBAI:  Aggregation of television content from various broadcasters will soon be history and content aggregators will be able to act only as agents of broadcasters.
These are the provisions in the amended regulations notified by the Telecom Regulatory Authority of India (TRAI) today.
The TRAI has barred content aggregators from signing Reference Interconnect Offers (RIOs) with Distribution Platform Operators and said broadcasters themselves will now need to publish the Reference Interconnect Offers (RIOs) and also enter into interconnection agreements with Distribution Platform Operators (DPOs).
TRAI has now clearly defined the roles of the broadcaster, the channel aggregator and the DPOs which include the multi-system operators.
Broadcasters have six months to sign RIOs with DPOs themselves and current content aggregators like Media Pro, IndiaCast UTV Media Distribution and One Alliance will only be able to function as agents of broadcasters.
TRAI has allowed a broadcaster to appoint an agent for signing the RIOs, but clearly stating that the agent can only act in the name of and on behalf of the broadcaster.
The regulator in the notification clearly mentions that the appointed agent cannot alter the bouquets as offered in the RIO of the broadcaster and if one agent acts as an authorised agent of multiple broadcasters, individual broadcasters need to ensure that such agents do not bundle channels or bouquets with other broadcasters, TRAI said.
TRAI has, however, provided relief to broadcaster groups by allowing more than one company belonging to the same group to bundle their channels into packages.
Broadcasters will have to file amended RIOs and interconnection agreements with the regulator.
According to TRAI, currently around 239 pay channels (including HD and advertisement-free channels) are offered by 55 pay broadcasters. These channels are distributed by 30 broadcasters/aggregators/ agents of broadcasters.
“The distribution business of 58.6 per cent of the total pay TV market available today is controlled by the top three aggregators,” the TRAI said, referring to Media Pro, IndiaCast and One Alliance.
TRAI feels that the bouquets offered by aggregators comprise popular channels of multiple broadcasters they represent. Thus, leaving DPOs with no option, but to subscribe to these bouquets and then push these channels to the consumers to recover costs.
Analysis of bouquets offered by Aggregators
“This shows that aggregators are offering bouquets comprising as many as 20 channels of six broadcasters. Another bouquet, comprising 13 channels, has channels drawn from 9 broadcasters,” says TRAI through its published report.
Explaining further the TRAI paper says, “Media Pro has mostly entered into agreements with MSOs for around 65 channels out of the 76 pay channels it distributes. These MSOs include both smaller independent MSOs as well as MSOs operating at national level. Similarly, IndiaCast and MSM Discovery have mostly entered into agreements for around 30 (out of 36 channels being distributed by it) and 20 channels (out of 28 channels being distributed by it) respectively. This substantiates the allegation of the DPOs that the large aggregators are virtually compelling them to enter into agreements to subscribe to almost all of their channels.”  
The regulator has also found that majority of the channels distributed by the aggregators belong to broadcaster groups who own or control the aggregator. “90.7 per cent- Media Pro, 58 per cent IndiaCast and 57 per cent- MSMD.” 
According to the regulator, the rates being charged from non-vertically integrated DPOs are, in some cases, higher by 62 per cent as compared to the vertically integrated DPOs.
“The situation becomes even worse in the case of relatively smaller non- vertically integrated DPOs in which case the rates charged are higher by about 85 per cent as compared to the vertically integrated DPOs.”
TRAI feels that the amendment will not only ensure a better spread of popular channels in different bouquets available to the DPOs but would also reduce the number of less popular channels pushed on to such bouquets.
“Even in case a DPO fails to arrive at an agreement with a particular broadcaster the opportunity of finalising agreements with other popular broadcasters is not lost. Thus, DPOs would be placed in a much better position to carry out their businesses,” TRAI said.
“The interconnect regulations aim at making available the content to DPOs in a transparent and non-discriminatory manner. For this, it is important that the offerings of the broadcasters are available in the public domain. This is why broadcasters have been mandated to publish an RIO prescribing the technical and commercial terms for making available their TV channels to the DPOs,” it says.

Press Release | Sony Six to broadcast 2014 Pepsi IPL player auction



MUMBAI: ‎Sony Six, India’s premier sports and entertainment channel will exclusively broadcastthe player auction that will take place before this year’s edition of the Pepsi Indian Premier League. Come February 12thand 13th, the 2014 Pepsi IPL Player Auction will be the talking point of the country as the bidding process rolls out for theseventh edition of the tournament.  The event that will see eight team owners battle it out to build their dream team, will be broadcast Live and Exclusive on Six and Six HD.
 
With every team given the option of retaining a maximum of 5 players, this year’s auction is certain to bring up surprises, with the 8 franchise teams drafting new approaches to retain the best mix of cricketing talent. This year’s auction will feature 219 capped players (169 Indians and 50 overseas players) and will also feature 292 uncapped players (255 Indians and 37 Overseas). Indian uncapped players will be figuring in the auction for the very first time. The auction will take place at ITC Gardenia, Bengaluru, on the 12th of February, with an option to carry onto the 13th of February.
 
The auction will be conducted by Richard Madley, a professional auctioneer from England who hasbeen conducting the player auctions since the inaugural season in 2008, and will be hosted on Six by Gaurav Kapoor and Ajay Jadeja sharing their insights on player and team strategies.
 
Some of the top players valued at the auction include Virender Sehwag, Yuvraj Singh, Robin Uthappa, Yusuf Pathan, Brad Haddin, Brad Hodge, Michael Hussey, Mitchell Johnson, Steven Smith, Mitchell Starc, Kevin Pietersen, Brendon McCullum, Ross Taylor, Jacques Kallis, MahelaJayawardene, and Marlon Samuels.
 
Sony Six business head Prasana Krishnan said, “This year’s auction is probably one of the biggest that we’ll see, as all teams will look for a major revamp. Six will bring an in-depth perspective into the strategy each team has chartered for the league, keeping the audience enthralled throughout the event.”
 
The Pepsi IPL is a Twenty20 cricket league in India consisting of 8 teams. Teams will play in a round robin format where each team plays each other twice, home and away. The top 4 teams with maximum points at the end of the round robin format, qualify for the play offs. This is the 7th season of the Indian Premier League. Mumbai Indians were the winners of the previous edition in 2013.

Saturday, January 25, 2014

Tewari justifies rules for regulation of television audience rating agencies.

NEW DELHI: Information and Broadcasting (I&B) Minister Manish Tewari today addressed the attendees of the fifth CEOs round table conference organised by the Confederation of Indian Industries today. He said that the television rating points rules are an attempt to make the process transparent, credible and accountable. At the same time, the endeavour was to address aberrations in the existing rating system.
 
Tewari added that this initiative was based on the past recommendations of the Parliamentary Standing Committee for Information Technology, the Telecom Regulatory Authority of India (TRAI) and the Amit Mitra Committee.
 
The Government had also been approached in the past by the industry stakeholders to rectify the existing flaws. The long term objective was an attempt to usher a system with defined rules within an existing framework.
 
Meanwhile, he said the digitisation process during Phase III and IV would have to focus on the interest of the consumers in order to ensure that they were partners in the process rather than adversaries.
 
For this purpose, the industry would have to run a focussed consumer awareness campaign, whereby the consumer would have to be sensitized about the benefits accruing from this process.
 
Tewari said the campaign would have to focus on improved quality of viewing and related qualitative benefits accruing to the consumer as a result of the implementation process. The lessons of the implementation during Phase I and Phase II would also have to be taken into account while outlining the implementation roadmap for the remaining phases.
 
For digitization to succeed, the industry would have to make efforts to ensure that the consumer was an integral component in the digitisation value chain. At the same time, the comprehensive approach would also ensure the emergence of viable business model for the industry.
On the issue of monopolies in the cable TV sector, Tewari said that regulator had already made its recommendation and the issues involved were being examined by the Inter Ministerial Committee (IMC).
 
The Minister also said that the regulatory framework ought to be stable and transparent for all stakeholders for the broadcasting sector to grow. This would ensure orderly growth for the sector in the long run

Friday, January 10, 2014

Executive Dossier | "My immediate focus is on turning around Sony Ent, our flagship channel"








He has been fairly low profile, mild-mannered and soft spoken. But underneath the soft exterior NP Singh is tough as nails and a fiesty fighter just like many from the Sikh community - to which he belongs - are known to be. Recently, Singh was hoicked to the CEO's position at Multi Screen Media India - Sony Entertainment Television Network India - after running it as COO for nearly a decade. He replaced Man Jit Singh - who has moved on to a global position looking after its home entertainment business.

NP is a long time Sony loyalist as he joined it way back in 1999 as CFO.  He has been given charge at a challenging time when the network's flagship channel Sony Entertainment is at  a lowly sixth position amongst Hindi GECs, just a tad above Sahara. That's a far cry from the third or fourth spot it occupied until 2012.

Currently in his mid-50s, has seen the highs and lows of not only the Sony Entertainment Network, but the industry as well. His appointment has put his rivals on alert because it is he who pushed the transformation of Sab into a topnotch Hindi comedy offering, Pix into a channel showcasing Hollywood blockbusters, and successfully launched Mix in a crowded music channel market place. 

In a conversation with Indiantelevision.com’s Seema Singh, NP speaks of his immediate plans and the road ahead. 

Excerpts:

15 years in Sony and now becoming the CEO. What is the feeling?

I have enjoyed every day that I have been here. I joined the company in June 1999 as the CFO and then got elevated to the position of chief operating officer and now the chief executive officer. I have seen the entire journey. The company is 18 years old and I have been here for the past 15 years. I have been a part of a lot of success and have also faced multiple challenges. Overall, it has been a fantastic journey. I am happy that I have been given the role to head the company.

What are the challenges that lie ahead for the Network?

The number one priority for me is to turn on the power of the flagship channel, Sony. In the short time, this will be my focus. We have seen success on the flagship channel not too long ago. In 2012, the channel was doing extremely well. Since 2012 end, the channel started seeing a drop in viewership; my objective is to arrest that drop and put the channel on the path of growth.

Every CEO has a dream team. What is yours? Do we see any management changes in the future? Who do we see as the next COO for the Network?

We have a strong management team with very good talent across the company. And we have been proud of the team and I will continue to work with them to achieve the dream that we have collectively for the company.

Changes are a part of life and as we go forward, there may or may not be any changes, but it is too premature to comment on.

For now there will be no COO for the company. We have a strong management team and I will work directly with them to achieve the objectives set.

Will life change for you after becoming a CEO?

I have been here and have been partnering with Man Jit Singh who was here as CEO earlier. I have been part of all the successes and challenges and am acutely aware of what needs to be done. So it doesn’t have any major impact on my life going forward. Except that I will not have a COO right now and so I will interact with the management team directly. This means I will be spending more time in the office, of which I do not complain.

What are the opportunities you have as a CEO?

There are multiple opportunities. In the near term, my first priority is the turnaround of Sony and within that lies an opportunity for growth in revenue of the company. I see growth opportunities on the distribution side as well. That is something we have to stay focused on and we have to help grow the ARPUs at the subscriber level so that the benefit can flow right through the value chain upward to content owners like us.

I see huge opportunity in the exploitation of digital platforms through mobile phones and tablets. If we can get our content to the audience through this medium, we will see a huge rise in revenue.

I also see an opportunity in the regional market that we will evaluate over a period of time and then make our choices.

Sony launched ‘Sony Mahotsav’ in UP, Punjab and Haryana starting from November 2013. What was the reason for it and how has the response been?

We launched it with the objective to engage with our viewers in these markets. We want to take the brand to these markets and also our artistes from major shows to those cities to make the brand more accessible to them.

The response has been positive and we will continue to build on this initiative going forward as well because we want to engage audiences of smaller towns with the channel. This is one initiative. We are also trying to build that engagement through our content and communication.

Phase I and II of digitisation is complete. Do you see that helping the Network in getting better reach and viewership numbers?

Digitisation will not grow our overall viewership base. It will lead to more transparency from the broadcasters’ perspective. Because digitisation will bring about addressability, there will be more information/ transparency about the viewer or subscriber we have for the network. Having said that phase I and II have been completed, set top boxes (STBs) have been installed in the households, but the real addressability has still not happened.

There is still time for that. The MSOs do not have the database for those STBs. We are supporting them through campaigns running on our network. Hopefully in the next few months, they can get the data from the local cable operator and create a database and then start invoicing the subscribers directly. That will happen in the next few months and then over next two years complete addressability will come in and there will be benefits right from the viewer up to the broadcaster and content creator.

Sony has always believed in experimenting with the content. But the past few years have not done too well for the channel. Is it that the channel is too ahead of time? Why aren’t you able to connect with the audience?

It is a combination of multiple factors. Till 2012, we were clearly the number two ranking channel.  We were also at number one during the nine week period when the ratings did not get reported. But since then we have seen a decline in viewership and there are multiple factors behind it. One of the key factors was the universe update by TAM and the inclusion of LC1 markets in reporting viewership. The LC1 market has a 25 per cent share in the total viewership pie and that impacted our ratings. Secondly, some of our fiction shows also didn’t perform the way we expected them to.

But we are the pioneers in the many new concepts and ideas. Some of them have been way ahead of time, for example the YRF shows that we brought to our viewers. Those were top quality shows that were accepted and appreciated by one set of audience, while not taken well by the other set of audience. But that doesn’t mean we will stop coming up with path breaking ideas. We have not been successful in the recent past, but that will not stop us from continuing to follow that path.

The fiction shows have not done well for the channel. Also the non-fiction slate is developing fatigue. How do you plan to strengthen the programming slate?

We have to continue to innovate. We did that successfully with the last season of Indian Idol in which we introduced kids. Also in Kaun Banega Crorepati (KBC) we brought several innovations. Though it was well received in the beginning, eventually it settled down at a lower number. But that doesn’t mean there is fatigue with the format of the show. We will do something more when we bring KBC the next time.

We are looking at refreshing our weekend primetimes and that is why we got Boogie Woogie back on TV, which is doing well for the channel. We will be bringing back Entertainment Ke Liye Kuch Bhi Karega as well. The first and foremost task is to look at our fiction strategy and revamp that. Our plan is to bring in new shows to weekday primetime and strengthen it. We realise that it is there where we can build loyalties with the viewer. So that is the focus, followed by refreshing the weekend.

Though Sony India is doing well and contributes some 40-50 per cent  to the overall revenue of the Sony Pictures' media networks business, there is pressure on Sony from investors such as Dan Loeb to make Sony’s entertainment business deliver. Is that putting any pressure on you? How do you plan to cope with that?

MSM is a very strong performer for the entire Sony Corporation. We have performed really well and India has a lot of growth opportunity and we are getting a lot of investment from the parent into the company. Whatever new initiative we come up with, till the time it makes strategic and economic sense we will get investment support from the parent.

You will be reporting into Andy Kaplan, what is it like to work with him? Are there more challenges now?

I have worked with Andy for the past several years and I don’t see any change in the dynamics of our relationship. I look forward to working with him even more closely now.

What do you think is missing in the Sony slate?

There will always be some unfinished agenda at any point in time. But right now we have everything to make the network more successful. There are some new initiatives that we are working on for the future growth of the network, which we will announce in due course of time, but first and foremost objective is the turnaround of our flagship channel.

The network bouquet looks weak without any strong regional offerings. Are you looking at strengthening it by moving south?

We have one channel in West Bengal. So we have one channel as far as the regional space is concerned, but it is a small channel, which has carved a niche for itself. We are looking at some other markets and currently we are evaluating all the options and will make our choice in due course of time.

Unbundling of bouquets is something which Dish TV has recently encouraged by offering IndiaCast channels on an a la carte basis. Then the TRAI may soon come up with its recommendation paper on aggregators. Do you see that affecting the distribution of channels?

We always follow very collaborative process in any negotiation that we do with our partners and like everyone else Dish TV is also a strong partner. We have had strong relations with them in the past and even now.

There has been a lot of conjecture about the TRAI consultation paper on aggregators, but no one knows what will happen. Will cross that bridge when the recommendation comes out.

 Are you looking at launching any new channel?

We never do something because other networks are doing it. We always do things that are good for our Network. We will do what makes strategic and economic sense for us. And from that perspective, if we have to launch a new channel we will.

You can watch more of what the Sony Entertainmetnt CEO has to say by clicking here: Executive Dossier with MSM India CEO NP Singh

Executive Dossier with MSM India CEO NP Singh

Star Plus, Sab begin 2014 on a good note





MUMBAI: The new year, it seems, has been really good for the general entertainment channels (GECs), especially Star Plus and Sab, which have hit the highest ratings ever in the week 01 of TAM TV ratings. 
 
Star Plus leads the flock with 647,066 GVTs (605514 TVTS). Thanks to the Big Star Entertainment Award that aired on the New Year’s eve and became the highest rated award show in the history of Hindi GECs. It garnered 12,369 TVTs. However, its celebrity dance reality show Nach Baliye 6 saw a slight drop with 3,523 TVTs (3,653). The epic series Mahabharat saw a fall in its viewership and stood at 6,811 TVTs (7,026 TVTs).
 
Colors strongly stood at number two garnering 522,158 GVTs (527,226 GVTs). Its two new fiction series worked wonders for the channel. While Beintehaa reported 2,964 TVTs andRangrasiya saw a good start as well with 3,199 TVTs. Its comedy show – Comedy Nights with Kapil that continues to make people laugh, garnered 8,973 TVTs (8,772 TVTs).
 
Third placed, Zee TV notched up and took its tally to 449,211 GVTs (430,836 GVTs). The channel’s sitcom Bh se Bhade registered a decline in its viewership and marked 1,534 TVTs (1,793 TVTs). Its fiction property, Doli Armaanon Ki ‘Shaadi’ special event scored 2,753 TVTs. The dance reality show Dance India Dance 4 kept its glued to the tube with its innovative dance styles and moves and scored 4,410 TVTs (4,309 TVTs) on Saturday and 3,687 TVTs (4,844 TVTs) on Sunday.
 
Sab touched its highest ratings ever as it reported 360,848 GVTs (330,358 GVTs).  Life OK held to its fifth position as it scored 323,456 GVTs (323,589 GVTs).
 
Sony continues to occupy the number six spot with 266,161 GVTs (271,852 GVTs). Its two new offerings – Main Na Bhoolungi and Ekk Nayi Pehchaan also couldn’t do much as they scored 884 TVTs (1,144 TVTs) and 1,965 TVTs (1,900 TVTs) respectively. Its non-fiction property, Boogie Woogie Kids Championship too saw a drop in its fourth week and garnered only 2,488 TVTs (2,957 TVTs).
 
Sahara One remains at the bottom of the chart marking no major difference and earned 36,162 GVTs (34,888 GVTs).
 
In the movie channel genre, Zee Cinema reported 200,662 GVTs (211,750 GVTs); Star Gold registered 195,587 GVTs (191,863 GVTs) and Movies OK scored 143,920 GVTs (123,375 GVTs). While &pictures notched up and scored 91,406 GVTs (76,440 GVTs), Zee Anmol marked 71,855 GVTs (62,566 GVTs) and Max scored 221,690 GVTs (212,954 GVTs).

SONY SIX bags the exclusive rights to the New Zealand – India Series




MUMBAI: SONY SIX, India’s premier sports and entertainment channel has acquired the exclusive broadcast rights to the New Zealand vs India cricket series. The series will be held in New Zealand and is scheduled from the 19th January 2014 to the 18th February 2014. The 30 day tour starts with five ODIs followed by two Test Matches.
 
Commenting on this acquisition, Mr. N.P Singh, CEO, MSM said, “We are delighted to partner New Zealand Cricket as the official broadcaster to this series. With this acquisition we are staying true to our objective of delivering high octane sporting events. Sony SIX viewers can now look forward to some of the best cricketing action from two of the most stellar cricket teams in the world."
 
Mr. Prasana Krishnan, Business Head, SONY SIX, said, “We are delighted to have this series come our way early into the New Year. Through this acquisition we will give our viewers direct action to one of the most awaited cricket series in 2014. Both New Zealand and India play exciting brand of cricket and we are thrilled to be the exclusive partner to this promising series.”
 
Mr. David White, CEO, New Zealand Cricket, said, “We are delighted to partner with Sony SIX for the series. India is home to the most passionate and dedicated cricket fans, and with Sony SIX as partners for the series, we are assured to reach out to the fans in the best manner.”
 
Schedule for New Zealand vs India Cricket series:
 
The India tour of New Zealand 2014 bilateral series is a part of the Future Cricket Tour Program (FTP) prepared by International Cricket Council (ICC). This is the first series for the Indian team in the 2014 calendar. The two teams last met in New Zealand five years back in 2009 where India were able to register a series win in New Zealand after 41 years.
 
Sony SIX, India’s Premier Sports Entertainment Channel is owned and operated by MSM India. The company is well known to exclusively broadcast some of the world’s largest as well as renowned international sporting properties like The Pepsi IPL, UEFA EURO 2016, Qualifiers for UEFA EURO 2016 and the European Qualifiers for FIFA World Cup 2018, The Australian Open, TNA, The NBA and The Ultimate Fighting Championship (UFC). Since its inception, the channel has successfully managed to target the youth of India through a mix of sports and entertainment.