Thursday, October 27, 2016

TV festive ad spend to reach Rs 8000 cr; experts divided

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MUMBAI: The festive months of October and November are welcome months not just for you and your family, but for most Indian brands as well. After all, they eagerly wait for this early window when consumers loosen up their purse strings and put their Diwali bonuses to good use, aka, shopping.
Thus, it is almost a tradition in the marketing world to budget separately for the third financial quarter, and sometimes allot a majority share of their marcom budget to campaigns during this period. New trends emerge each year from consumer behaviour, which, in turn, decide how brands invest their advertising budgets. Unlike last few years, media experts have mixed opinions on what this year’s festive season means for the advertising industry as a whole.
Many within the industry believe this Diwali isn’t lighting up as bright as they had wished. Brands aren’t spending ad dollars as enthusiastically as they had in the last few years. “The festive season itself has shortened this year. Instead of stretching out to November, this year Diwali is wrapping up by October, leaving a 15 to 20-day period for Diwali campaigns. Barring the bigger e-commerce players, we did not see many brands advertise before the 2nd week of October. Even when it comes to print, which usually commands the lion's share of festive ad spends, there were very few jacket ads that were spotted,” pointed out Havas Media Group India CEO Anita Nayyar.
This year’s most noticeable trend would be polarised points of view on how the e-commerce players are spending. According to several media reports, e-commerce players have cut down their media spends on television this year and are concentrating on print instead.
“Compared to their spends last year, the spend on print has pretty much remained the same. They (the e-commerce players) have also had multiple sales promotions instead of just one major sale day and the print has dominated the promotion budget of these sales. When it comes to their spends on digital, most of them are performance related than pure innovation or advertising. It is directly tied to purchase,” observed a media planner requesting anonymity.
The expert also correlated the category’s marketing spends strategy to the consolidation that has happened in the sector in the last one year, including major developments like Jabong being bought over by Flipkart’s Myntra.
“In general, it wasn’t as great a year for e-commerce players as last year. The accountability is much higher on performance than it was in the previous few years. Most of their current spends are to make sure they have enough sales,” the planner adds.
Nayyar too believes that e-commerce players have become very cautious of how they spend this year. “Not just in TV, but over all even throughout the year, e-commerce brands have toned down. Most of these companies are in their 5th and 6th year, and that is when returns have to show up.”
What does that mean for the television industry? Have the ad revenues dropped because of this? “Not at all,” reassured another senior executive. According to him, “E-commerce spending on television has actually increased in the range of 60-65 per cent,” He acknowledges that ‘print pie is always the highest considering the tactical nature of festival communication with its local and regional role that it plays."
It could be because, “while the total number of players in the e-commerce have relatively reduced or opted out of spending increasingly on TV this year, the big players such as Amazon, Snapdeal, and Flipkart continue to spend a lot on TV,” shared Dentsu Aegis Network chairman Ashish Bhasin.
With the festive season just around the corner, Droom, India’s pioneering online automobile transactional marketplace, is taking the celebrations up a few notches by allocating INR 10 crore to its marketing budget.
Snapdeal earlier announced that it would spend Rs.200 crore on a 360-degree campaign spanning over 60 days in the run-up to the Diwali festival. eBay India marketing director Shivani Suri too recognises this period as the ‘most important time of the year, where they expect to do the most sales.” Online automobile marketplace Droom too had promised Rs 10 crore of its marketing budget to the season.
According to Bhasin, the total festive season ad ex of the market across media is estimated to hit a whopping Rs 20,000 crore this year, which is a 10--12 per cent hike from last year. “Of this, Rs 8000 crore can come from television, is the estimate,” Bhasin shared.
Another analyst who did not want to be named pegged this year’s TV ad-ex at Rs 3000 crore.
When it came to analysing festive season advertising by categories, FMCG and automobile once again stole the show, especially when it comes to being the biggest spenders on the medium of television.
“Automobile Category continues to spend the highest in festive season, followed by real estate. Then comes e-commerce. With similar contribution levels across categories, 30-50% increase in spends if you compare similar period of last year vs. vis-à-vis this year,” a planner shared.
It should be noted that sales at the leading passenger vehicle makers, including Maruti Suzuki, Hyundai, Mahindra and Hero MotoCorp, had risen by 15 per cent this year to 253,007 units from 216,352 a year ago, as per an early September report.
“Telecom is another important sector which has made its presence felt this festive season. With Jio’s launch acting as a catalyst for other competitors in the sectors to also up their marketing ante,” Bhasin added.
Apart from the conventional players, categories such as electronic devices (read smartphones), home decor and accessories have also garnered could traction. As reported earlier in several leading dailies, Oppo and Vivo are spending close to Rs 80 to Rs 100 each on marketing this year, almost doubling their budget from last year. Other electronic segments aren’t far behind. As recently reported, Japanese electronics manufacturer Panasonic has raised its festive marketing budget in India to Rs 85 crore.
Thus, while this year’s festive season may be short-lived for both, brands as well as consumers, celebration in India is definitely neither conservative nor curtailed.

Friday, October 21, 2016

Sony AXN scripts deal with Pinewood; buys stake in SVOD service Hopster

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MUMBAI: Folks at Sony Pictures Television (SPT) are in a celebratory mood. Not only has it signed a six-series deal with Pinewood Television but has also acquired a minority stake in the London-based video subscription service for kids content - Hopster.
With its partnership with Pinewood, Sony plans to develop and produce shows for their English entertainment channel AXN. The channel will carry the resulting drama originals across Asia, Australasia, Europe and Latin America. Co-financed by the two ventures, the creative director Helen Gregory will lead the initiative. The drama deal was brokered by SPT Networks (SPTN) executive VP, programming and production, Marie Jacobson, and Pinewood Television director Peter Gerwe.
Jacobson said that they were looking for alternative paths to expand original series development, and Pinewood TV made for ideal partners. She said she was looking forward to developing projects that play both, in the UK and on our channels around the world.
As for their investment in the digital service, the financial details weren't disclosed. But, with this, Sony will become a strategic equity investor and take a seat on the company’s board. SPT Western Europe EVP Kate Marsh said that investing on this platform will offer an advantage to the entire network in this rapidly growing subscription led kids space. Additionally, this deal will also provide an opportunity to the network for its expansion in the on-demand services.
Hopster provides service for the preschool crowd at a cost of $4.99 per month and is available on iPad, Android and selects TV-connected devices. The company claims to have more than 800,000 users and aims to differentiate itself from the competition by offering videos, TV shows and interactive content. Kids can also use the app to play learning games and listen to nursery rhymes. The platform also makes it possible for parents to download shows for their kids for offline viewing.

US$ 4.5 bn expected from IPL rights; SC recommends accounts scrutiny.


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MUMBAI: The Supreme Court on Friday froze all financial transactions between the BCCI and state cricket associations by directing the apex body not to disburse any funds till it resolves to abide by the Justice RM Lodha panel recommendations on reforms by 3 December . The top court ordered that none of the BCCI's member-state associations will get a rupee till it complies in "letter and spirit" with the Lodha Committee reforms.  
In a judgment, which was not announced beforehand or notified in the court's cause list, a Bench, led by Chief Justice of India T.S. Thakur stood firm by its October 7 decision to choke the financial stream of the BCCI's 25 state cricket associations till they fall in line. The judgment, pronounced by Justice D Y Chandrachud, asked the panel secretary to send a copy of the apex court order to the ICC chairman Shashank Manohar.
The judgment asked the committee to appoint an independent auditor to scrutinise the BCCI accounts and set financial limits for contracts. According to reports, BCCI is expecting close to USD 4.5 billion from sale of three IPL rights - TV, internet and mobile.
BCCI president Anurag Thakur and secretary Ajay Shirke have been ordered to file compliance reports before the Committee and the Supreme Court in two weeks.
Chief Justice Thakur, on October 7, made the court's stand clear by ordering that the BCCI will not disburse Rs. 16.73 crore each to 12 state cricket associations. These associations were yet to get the balance payment of their share from nearly Rs. 2,500 crore the BCCI had received towards compensation on account of termination of Champion League T 20.
The appointment of auditors is significant as the multi-million dollar Indian Premier League (IPL) media rights are to be awarded for the next 10 years, starting 2018. Sony Pictures Networks holds the current IPL media rights till 2017, which it won with a whopping USD 1.6 billion bid. 
Star India, Twitter, Facebook, Sony Pictures and Reliance Jio are now the major names in fray for the media rights.
Here are the top developments of the BCCI-Lodha panel case: On July 14, 2016, a two-judge Supreme Court bench, that included current Chief Justice of India TS Thakur, empowered the Justice RM Lodha-led panel to implement a series of reforms to bring in more transparency in BCCI's style of governance. The committee suggested major reforms that included age caps, tenure restrictions, one-man-one-post, one state-one-vote, among others. The reforms were binding and would apply to the Board as well as its state units.
Lodha panel set BCCI two deadlines - September 30 to make constitutional changes (adopt the Memorandum of Association and Rules) and December 15 for the Board to form a nine-member Apex committee that will replace the powerful working committee
BCCI appointed former Supreme Court judge Justice Markandey Katju to review the Lodha panel recommendations. Katju called the Lodha panel "unconstitutional and illegal." The BCCI promptly filed a review petition in the Supreme Court in July.
In August, BCCI secretary met the Lodha committee saying the AGM will conduct "routine" business. On the contrary, the Board advertised inviting applications for the post of selectors. Its agenda also included formation of a new working committee and even an ombudsman - all in defiance of Lodha panel orders.
Saying the BCCI conducted more than just "routine" matters, the Lodha panel filed a status report to the Supreme Court on September 28, complaining of non-compliance of its orders. The panel wanted BCCI's top brass to be "superseded". 
BCCI, on October 1, cherry-picked a few Lodha panel recommendations but made no decision on the important proposals like one-state-one-unit and age and tenure caps for officials. BCCI also decided to disburse large sums of money (approximately Rs 400 crore) earned from TV rights to state units as infrastructure grants.
Lodha panel told BCCI's bankers - Bank of Maharashtra and Yes Bank - to stop disbursing grants to state units without its approval. BCCI president Anurag Thakur told media that freezing of accounts will force BCCI to cancel the India vs New Zealand Test series. Justice Lodha clarified on October 4 that BCCI was misinterpreting its order to the banks. The panel never stopped any money for staging matches.
The Supreme Court, on 6 October, gave an ultimatum to the BCCI to 'unconditionally' accept the Lodha reforms or it will pass an order. BCCI refuses to give any such undertaking asking for time till 17 October. The top court gave the BCCI time till December 3 to implement reforms recommended by the Lodha panel. 
The court had made it clear that continued defiance by state associations would witness their shares invested in fixed deposit accounts until they change their minds. The court had barred further disbursal of amounts, courtesy a resolution passed by in the Annual General Meeting held on November 9, 2015 or “any subsequent resolution” by the BCCI or its Working Committee, until the state associations submit their written undertakings to unconditionally comply with the Lodha reforms.

Friday, October 14, 2016

Discovery to take viewers on journey across 29 states

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MUMBAI: Discovery is all set to premiere a new show which will see two road-trippers taking a journey around India. Titled #IndiaMyWay, it goes in search of young Indians, their passion and their continual quest for the unusual, exotic and adventurous side of life. The 13-part series introduces viewers to a range of characters ranging from celebrities, tribal fashionistas, women wrestlers, young scientists, tattoo artists, path breaking entrepreneurs, etc.
Paloma Monappa, an actor and avid traveler, and Meraj Shah, a travel writer, will share their passion for adventure and exploration of a new India.
The show starts on 16 October every Sunday at 8 pm. Travelling across all the 29 states, the series brings inspirational stories, a testament to young India’s grit and a fresh way of looking at the world.
Monappa said, “#Indiamyway has been a thrilling journey that traces juxtaposition of the new with the old. The series encapsulates incredibly liberating and empowering works of young Indians which paints an inspiring picture of the emerging India.”
The duo will cruise around in a Maruti Suzuki Vitara Brezza, covering over 28,000 kilometers, travelling through the roads of Delhi, trotting lush vineyards of Nashik, taking a safari in the Rann, cruising treacherous terrains of Ladakh, the duo is driven by the irresistible lure of far flung roads on an ultimate expedition.
“I have been travelling for years, however, this road trip was unique and refreshing. #Indiamyway has been one of the most enriching experiences, offering a stimulating view about the contemporary wave in our socio-cultural structure,” added Shah.
The road-trippers talk to everyone from photographers to chefs, comedians, sound-designers and artists to hear the challenges they faced and the conviction that carried them in their quest for meaningful work.
“Maruti Suzuki is thrilled to partner with Discovery on this journey across 29 states to discover the new-age India from the perspective of the millennials. It’s an exploration of the changing culture, lifestyle, landscape and the people of the country. I believe the viewers would enjoy this adventurous journey in the newly launched Maruti Suzuki Vitara Brezza,” said Maruti Suzuki India executive director, marketing and sales R.S Kalsi.

Sony TV replaces Zee TV at third spot in Hindi GEC Urban

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MUMBAI: Backed by popularity of the Kapil Sharma show, Sony Entertainment Television continues to climb up the ladder. In week 40, channel toppled Zee TV at number third position in Hindi general entertainment channel (GECs) Urban Hindi-speaking market.  
On the other hand, Star Plus continues to dominate the Hindi GEC  in both Urban and rural markets whereas Zee Anmol retained its number one position this week according to Broadcast Audience Research Council (BARC) all-India data.
Hindi GEC
Star Plus continues to lead the genre with 677946 Impressions (000s) followed by Colors on second spot with 582912 Impressions (000s) and Zee TV on third with 499579 Impressions (000s).
Zee’s free to air channel Zee Anmol replaced Star Utsav at number four  with 497549 Impressions (000s) and Life OK grabbed fifth spot with 428990 Impressions (000s).
Sony Entertainment Television, Star Utsav and Sab TV bagged the sixth, seventh and eighth spot with 423671 Impressions (000s), 409577 Impressions (000s) and 378751 Impressions (000s), respectively.
Sony Pal and Rishtey stood at ninth and tenth with 367356 Impressions (000s) and 346088 Impressions (000s).
Hindi GEC Rural
Zee Anmol retained its leadership position this week and grabbed first slot with 382681 Impressions (000s) followed by Star Utsav on second slot with 314049 Impressions (000s) and  Sony Pal on the third spot with 273997 Impressions (000s). Rishtey  maintained its fourth position with 261573 Impressions (000s).
Star Plus  bagged the fifth  spot with 219001 Impressions (000s). Zee TV stood at sixth spot in Rural HSM with 213199 Impressions (000s) followed by Colors at number seven with 190579 Impressions (000s). Life Ok stood at eighth position with 153626 Impressions (000s) followed by Sony Entertainment Television at ninth place with 129826 Impressions (000s) while Sab TV at tenth spot garnered 114288 Impressions (000s).
Hindi GEC Urban
Star Plus continues to dominate the Hindi GECs genre with 458945 Impressions (000’s) followed by Colors on second with 392333 Impressions (000’s). Sony Entertainment Television replaced Zee TV to claim third spot with 293844 Impression (000s).  
Zee TV fell on number four with 286379 Impressions (000s).
Life OK grabbed the fifth spot with 275364 Impressions (000s) followed by Sab TV on sixth with 264463 Impressions (000s) and & TV with 137783 Impressions (000s) stood at number seven.
In Hindi speaking market,  free to air channels Zee Anmol, Star Utsav and Sony Pal  grabbed the last three spots with 114868 Impressions (000s), 95528 Impressions (000s) and 93359 Impressions (000s), respectively.